Showing posts with label Tucson Festival of Books. Show all posts
Showing posts with label Tucson Festival of Books. Show all posts

Saturday, February 18, 2023

Tucson Festival of Books


By Johnny D. Boggs

I have been swamped with deadlines, assignments and shoveling snow. But here’s some great news:

March 4-5 is just around the corner.

Because that weekend, I’ll be at the Tucson Festival of Books. For a writer, or a reader, there is no better place to be.

If you haven’t been to Tucson for this festival, you are missing something special.

I was invited to speak on a panel with the great Jane Candia Coleman at the inaugural event in 2009. Remember …? The economic downturn, the longest since World War II. I wondered who would show up to listen to authors or buy books.

Who turned up? Well, 50,000 book lovers and 450 authors/presenters. And an amazing 800 volunteers.

I haven’t missed one since. Nor have many attendees.

The festival has drawn more than 100,000 in subsequent years. Last year, the first since the COVID shutdown (canceled in 2020, virtual in 2021), concern about who would return faded fast. The event, always free to the public and held on the University of Arizona campus, was packed again. Maybe not the record 140,000 of 2019, but those two days were awesome.

Generally, I help staff a booth for Western Writers of America, but sneak away to catch a panel or two if I can. Most years I either moderate or speak on a panel. This year, I’m doing both.

Talk about exciting. I share a Saturday panel about film history books, “Lights! Camera! America!,” with Kirk Ellis and Alan K. Rode (moderated by film scholar Andrew Patrick Nelson) and on Sunday I moderate “Visions of the West” with Kathryn Wilder, Emma Zimmerman and Pulitzer Prize finalist Ted Conover.

But the real treat is talking to nonwriters, wannabe writers, colleagues, friends and literary icons about writing, process, books, literature. I can’t wait to pick Ted Conover’s brain.

Hey, I spend most days and nights alone in an office writing, rewriting, rewriting, rewriting and sweating. Then wondering is anyone really going to read that? Does anybody still read?

Well, the Tucson Festival of Books is a morale booster for any writer. Oh, sure, most of those 100,000 attendees probably won’t have much interest in what I write. But they are proof that people are still interested in literature.

I’ll drive home March 5 excited, ready to step back inside that office for another lonely year. The adrenaline from Tucson will keep me going till 2024.

Hope to you there.


Thursday, March 09, 2017

Coming Up – Tucson Book Festival 2017

This photo is from 2011, but I like it

Every year at this time I pack up my old kit bag and head down to Tucson Arizona to work the Tucson Festival of Books. TFoB is a giant gathering of nearly 400 authors of all ilks, all participating in panels, talks, signings, presentations, and workshops. Nearly 120,000 people normally attend over the two day period. That's pretty good, considering that the population of Tucson is around 585,000. The festival draws readers and writers from all over the desert Southwest, and has almost reached the size of the Los Angeles Festival, which boasted 150,000 attendees last year.

I'm only going to be down there one day this year, Saturday, March 11. But it's going to be a busy day. I'll be moderating a panel, signing books at the Clues Unlimited Bookstore booth, teaching a class on writing historical mysteries, and participating as a panelist on a third panel.(for my complete schedule, click here) Participating on a panel is a little nerve-wracking if you don't care for speaking in front of crowds. I don't mind public speaking, but one does feel a some pressure to be entertaining. It takes a lot of preparation to be spontaneously witty and profound. The real work comes with being a panel moderator. Now, that does take a lot of prep. The moderator's job is to make the panelists look good. I've moderated many a panel in my time, and sometimes the authors are real pros who make it easy and sometimes you get a bunch of stiffs and you work your hindquarters off trying to keep the audience from either walking out or sliding out of their chairs in a coma, overcome by boredom.

It’s always a boost to be around other writers. Writing can be such a solitary life that sometimes you wonder if you're not just a voice crying in the wilderness. It's a mystery to me how a book ever gets written, to tell the truth. I've written books in the midst of personal crises that went on for months, but then found myself paralyzed when nothing in particular was going on with the rest of my life. But however lovely it is to get out in the world, I must say that I can’t help but wonder if all this travel and outlay and acting as free entertainment just for the exposure is really worth it. Especially when you can hardly find the time to finish your novel.

I want to write my stories. That's the thing I want to do and the thing I really enjoy doing. My mother taught us that in order to reach our financial goals, we should always pay ourselves first. In other words, put money aside for yourself before you even pay your bills. My mistake lately has been not doing the same thing with my writing. Do the writing first. It doesn't even have to be good, just get some words down on the page before you do anything else. That's my job, to do the writing. All the rest is gravy.

Thursday, March 10, 2016

An Interesting Time for a Writer, and Women's History Month

Left Coast Crime is over and the Tucson Festival of Books is coming up this weekend. I’ll be teaching a class on writing historical mysteries while I'm in Tucson, as well as participating in a panel with other historical mystery authors.* It’s always a boost to be around other writers. This is such a solitary life that sometimes you wonder if you're not just a voice crying in the wilderness. It's a mystery to me how a book ever gets written, to tell the truth. I've written books in the midst of personal crises that went on for months, but then found myself paralyzed when nothing in particular was going on with the rest of my life. But  however lovely it is to get out in the world, I must say that I’m beginning to get tired. And poor. As authors continually point out, you can’t help but wonder if all this travel and outlay and acting as free entertainment just for the exposure is really worth it. Especially when you can hardly find the time to finish your novel.

Things are changing so fast in the publishing world that nobody can keep up. How can one plan for the future? You can’t predict which of the numberless trends is going to have legs and which is going to fizzle out. We begin to understand the true meaning of the Chinese curse that that you should live in interesting times.

I detect a lot of fear about what’s going to happen, and resentment, because it seems that in the publishing world the authors are way down on the food chain, and no matter what format or delivery system comes out on top, the producers of the primary product will be the last to profit. (Rather like farming. Or the music biz.)

When J.D. Salinger, the famously reclusive author of Catcher in the Rye, died, he left piles, stacks, boxes, rooms-full of manuscripts that he had written just for his own enjoyment, any one of which he could have sold for an astronomical advance. He made the conscious choice to create art strictly for art’s sake. He was able to maintain this philosophy because the first book he wrote made him a millionaire. The rest of us can’t afford the luxury of such high ideals.  Sometimes I wish for the days when artists were supported by wealthy patrons.

I do like to tell stories, though, and will do my best to keep telling them however I may.

On another note, March is Women’s History Month, but since I write a historical mystery series featuring a female protagonist, every month is Women’s History Month for me. According to the National Women’s History Project, “the history of women often seems to be written with invisible ink. Even when recognized in their own times, women are often not included in the history books.”

Women’s lives – and I mean the real, everyday, down and dirty business of women’s lives, past and present – aren’t included that often in fiction, either. A traditional woman’s life has historically not been seen as very glamorous, or held much interest for those who didn’t have to, or choose to, live it.

But considering the things a woman often had to cope with in the past, we ought to be incredibly interested in their lives, if for no other reason than to make sure we don’t slip backwards and lose the rights and respect we’ve earned. Case in point: read Barbara Frandkin’s post, below.
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Check out my TFoB schedule here

Thursday, February 25, 2016

Writer's Conferences I Have Known And Loved

I (Donis) am not actually here today, Dear Reader. I am attending the Left Coast Crime conference in Phoenix. I thought it would be interesting to post photos from the conference, but I am new to my phone/camera and don't yet know how to post pictures without being in physical contact with my computer. Perhaps if someone will lend me their ten-year-old to teach me, I'll learn how before my next picture-taking event.

So, in the interim, I am posting for your enjoyment photos from some of the many writer's/fan conferences I have attended over the past ten years. There are too many to cover every one, so I just picked out some highlights, especially if they are photos in which I look pretty good. Join me on my virtual trip down conference memory lane.

With Larry Karp, Bouchercon, Anchorage, AK


Women Writing the West, Colorado Springs, CO





Hmm. I'm wearing the same wrap, though these photos were taken some years apart. I like that durn wrap. I still wear it a lot.








Tucson, AZ
I like the red sunglasses. I do the Tucson Festival of Books every year. It is huge. Hundreds of authors and tens of thousands of readers attend.


Tucson, AZ




Of course the one thing an author almost always does at a conference is sign books. This signing is at Tucson with Elizabeth Gunn and Hilary Davidson



Malice Domestic, Bethesda, MD
My first Malice Domestic, With Charlotte Hinger and Clea Simon

OWFI Annual Conference, Oklahoma City, OK

Oklahoma Writer's Federation International. I'm standing on a mezzanine landing in the conference hotel. I taught three workshops here that year.






Murder Mysteries and the West, Tempe, AZ
That's me in the blue talking to a reader after the panel discussion. Barbara Peters, my editor and owner of Poisoned Pen Bookstore, is in the white, and the cowboy-hatted Reavis Wortham is next to her. Susan Slater is trying to hide behind the pillar.

Cozy Con, Phoenix, AZ



This event had so many well-known writers that I don't have room to list them all. (Besides the fact that this was a few years ago and I don't remember who a couple of these people are) How many can you name?






Cozy Con, Phoenix, AZ

Though I do have to mention these three, sitting on the left side, next to me on the end, because they are three of my favorite people: left to right, Carolyn Hart, Hannah Dennison, and Earlene Fowler.










(All photos taken by Donis Casey, Donald Koozer, or an obliging waiter.)

Thursday, February 11, 2016

Write the Damn Book

It's been a busy winter, and it's going to be busy spring. It feels to me (Donis) that I've been going from one event to another since my last book came out last November. If it isn't a workshop I've agreed to teach, it's a review that I promised to do, or a blog entry, or a book club, or a charity event, or an author event. Left Coast Crime, one of the major crime fiction fan and author conferences, is coming up in a couple of weeks (see Barbara's entry below for an excellent overview). I'm attending LCC, naturally. I can't miss it this year for sure since it's right here in Phoenix, a mere 30 miles from my home. Of course 30 miles is quite a commute, so I'm staying at the conference hotel in downtown Phoenix--rooming, in fact, with Type M's own Charlotte Hinger.

On Friday, Feb. 26, at 1:30 p.m., I'll get to be on a panel called Historical Mysteries: Turn of the 20th Century with, Tessa Arlen, Annamaria Alfieri, and Charles Todd. Quite a company! On Saturday, Feb. 27, from 7:30 a.m.-9:00 a.m. I'm one of the host authors (along with Charlotte and Vicki Delany and 20 others) at the Discover Mystery Breakfast hosted by Poisoned Pen Press, where guests can enjoy a continental breakfast and hear about the wide variety of crime fiction published by Poisoned Pen Press. Giveaways and authors at every table.

After LCC,  I'll have another couple of book club/library events to do before the Tucson Festival of Books on March 12 and 13, where I've agreed to teach a historical novel writing workshop and appear on a panel.

LCC and TFoB and the rest are wonderfully fun (and we hope, useful) events, but they will take up days where, if my previous experience holds true, I'll get to catch up with friends I haven't seen in awhile and meet some new friends and learn a lot, but I won't get much actual writing done.

And therein lies the rub. Last Friday I had an author event in another town that took the entire day, and then I rushed home and spent the evening and all of the next day finishing a review and writing an article, both due immediately, and corresponding with people whom I had PROMISED to get back to right away, and I ended up not writing a word on my WIP for the whole time. This is not good. It's nice to be popular and in demand, but sometimes I have to pause and wonder if I'm missing the point of all this activity.

A few months ago there was a cartoon going around Facebook that showed a stick figure sitting at a desk, and another stick figure behind him holding a gun to his head and saying, "Just write the damn book!"

I want to write my stories. That's the thing I want to do and the thing I really enjoy doing. My mother taught us that in order to reach our financial goals, we should always pay ourselves first. In other words, put money aside for yourself before you even pay your bills. My mistake lately has been not doing the same thing with my writing. Do the writing first. It doesn't even have to be good, just get some words down on the page before you do anything else. That's my job, to do the writing. All the rest is gravy.

Thursday, March 12, 2015

Conference Season

I, Donis, won’t be going to the Left Coast Crime conference this year. I’m sorry, too, because so many friends will be there, and Tim Hallinan, whom I greatly admire, is the guest of honor. Besides, it’s in Portland, which is worth the trip on it’s own.

Tucson Festival of Books, a huge book festival that is held on the University of Arizona campus on the same weekend, March 14 and 15. I’ve done TFoB every year that it has been held. Since I live in Arizona, I know many of the organizers and I am always set up to appear on several panels and do a number of signings. I also present a mystery-writing workshop every year which has been incredibly popular. In fact, Dear Reader, if you are going to TFoB and have always wanted to write a mystery novel, come by the Integrated Learning Center, Room 141, on Saturday, March 14, from 4:00 pm to 5:00 pm, and in one hour I’ll tell you everything there is to know about the craft.*

Many years ago I owned a small Celtic import gift shop in Tempe, Arizona. I sold jewelry and goods from Ireland, Scotland, and Wales (and Man, Brittany, and Galicia, when I could get them.) I had my little store, but I also set up shop at festivals and games all over the Western United States. In fact, if I had had the energy, I would have made more money if I had gotten rid of the storefront and spent every weekend traveling to Highland games and Irish Feis. I could have done it, too. There is some sort of Celtic celebration somewhere in this country every blinking week of the year. I could have sold my house, bought myself a travel trailer, and lived on the road. Many retailers do just that.

Working at Highland Games, Orange County, CA

As it was, I hit games half-a-dozen times a year, in Arizona and California, mainly, with the occasional foray into Utah and New Mexico. I not only made a lot of money, but setting up at festivals was a great way to advertise my shop. After a game weekend, I’d gain a fair number of mail-order customers from wherever I had been. The only problem was that however profitable it was to travel, it was exhausting to pack up the shop, drive five hundred miles, set up the shop on a field at four o’clock in the morning, run off your feet selling all day while praying it doesn’t rain or the wind doesn’t blow your tent over, then pack up the shop after the games were over and drive home.

I’ve been thinking of those days lately. I don’t own a shop any more. I write mystery novels, which is a lot less profitable but a lot more fun. I still travel, and if I could afford it, I still could do writers’ conferences and workshops every weekend of the year. Last month I spent a week doing programs in Wake County, North Carolina, with Erika Chase and our own Vicki Delany. I had a spectacular time and gained five pounds (Vicki wrote an entry about that on this very blog here. You should check it out if you haven’t yet, Dear Reader. Nothing is more delightful than gorgeous photographs of Southern cooking.) I wrote about the trip on my own blog, here, if you are interested in the details of the trip and how a woman from Arizona deals with ice and snow.

I think that it is a helpful thing for an author to go to conferences and to make as many public appearances as she can afford, mainly because it’s good to be with other authors, to learn that you’re not alone. Even the Very Big Names suffer the same fears and insecurities as you do when they write. One famous author told me that every time she finishes a book, she’s absolutely sure that she’ll never be able to do it again, and every time she starts a new book, she’s terrified that she won’t be able to pull it off.

It’s also good to get your name out there. Let yourself be seen. Learn how to promote yourself. And I must say that it’s a lot less tiring than selling jewelry in the middle of a field to a thousand
people in kilts.

The only thing is that you don’t come home from a speaking engagement or a writer’s or fan conference with bags full of money. In fact, it’s hard to measure whether the money you spend to do these personal appearances is worth it in terms of book sales. You have to pick and choose what you can afford and which conference or appearance will get you the most bang for your buck. All you can do is the best you can do.
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*Sarcasm. However, I do present a technique for teaching yourself everything you need to know. My complete TFoB schedule can be seen on the TFoB site or here.